Death's Realm

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There's anything that awaits you at the highway forward, lurking within the darkness on the intersection among the the following and the Hereafter.

It's on the crossroads of this life and the subsequent, the place the forces of the residing and the lifeless converge in a terrifying position referred to as Death's Realm. And it's right here the place armies from each side of the veil salary a permanent conflict within the fight for control.

This is a quantity containing 16 tales of these wars via award-winning smooth masters of the horror and speculative fiction genres.


"OMNISCOPIC" through Rhoads Brazos - Mankind has eternally sought evidence of lifestyles past dying. This terrifying Lovecraftian stories proves that typically the secrets and techniques of the universe are higher left undiscovered.

"SOME different DAY" via John F.D. Taff - Following the loss of life of his mom, a boy is going to nice lengths to keep up a courting together with his grief-stricken father, irrespective of the fee to all of mankind.

"HAUNTER" through Hank Schwaeble - Matthew has chanced on love back after a sad loss, however the nightmares of the previous threaten his new truth and appear decided to copy themselves.

"BURIAL SUIT" via John C. Foster - An ex-con embarks on a perilous trip to make sure his useless father's soul unearths secure passage to eternity, risking his personal within the process.

"NINE" by way of Aaron Polson - An anthropologist's obsession with a misplaced civilization turns into unusually intertwined with the unusual habit of her younger sons.

"PENUMBRA" by way of Jay Caselberg - Newly lifeless, a tender guy is decided to arrive around the veil to the lady he left in the back of, refusing to permit dying stand within the manner in their real love.

"FOXHOLE" through JG Faherty - because the in simple terms survivors of an army unit engaged in a jungle conflict, infantrymen and adolescence neighbors cease at not anything to guard one another from the unseen enemy that pursues them.

"DROWNING" by way of Gregory L. Norris - Edgard miraculously escaped loss of life while he survived the sinking of sizeable. Having made a brand new lifestyles for himself in the USA, a terrifying strength threatens to pull him again to the darkish and icy waters of the North Atlantic.

"THE WEIGHT" by means of Jane Brooks - Experiencing debilitating discomfort that has her on the fringe of realization, a girl struggles with the occasions of her earlier as a way to stay alive.

"HARDER YOU FALL" via Brian Fatah Steele - the facility to speak to the lifeless has supplied Madeline a lavish way of life. Now, needing anything extra, she needs to give you the chance to flee the impression of her darkish mentor.

"MIRRORWORLD" via Martin Rose - All Jude wanted was once the signature of a Satanist on divorce papers. What he acquired in its place was once an premature demise and a tortured hereafter, because of a few risky black magic.

"MARCH HAYS" by way of Matthew Pegg - whilst WWII leaves him wounded, Sam unearths himself in a well-known position, the place friendly stories of his early life are darkened by way of a terrifying specter.

"HIGH ART" by means of Karen Runge and Simon Dewar - Raymond resides the existence he regularly dreamed of now that his spouse is out of the image. yet he speedy starts to query even if divorce might were much less painful.

"A PIRATE'S RANSOM" through Jay O'Shea - Somali pirates find a disabled, deserted freighter adrift within the hot waters of the Arabian Sea, but it truly is mysteriously lined in ice. They quickly observe they need to have permit this chance go them by.

"TO contact THE DEAD" through Paul Michael Anderson - while our possessions are all that stay of our life, destiny psychics from the People's background undertaking are hired to catalog the strength we've left at the back of, with frightening consequences.

"YOU in simple terms DIE ONCE" via Stephen Graham Jones - There aren't any pearly gates or angels on excessive to welcome the useless into the afterlife. in its place there's purely mysterious rooms, filthy shadows and terrifying beings.

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Just don’t give up on us yet,” Emmie said, and Sadie did hug her then, held her tight and promised that she’d never give up on Em matter what, which wasn’t particularly reassuring, since it still left the possibility that she might give up on Deacon and leave them a And later, after Sadie had left the room and there were only the outside noises and Patty Duke and all the strange creaks and thum old house makes at night when it thinks no one is listening, Emmie told herself a story to make her sleepy again.

Saben White’s rusty old Chevy Impala is sitting directly in front of the park’s front gates—six vertical concrete columns painted hi shades of blue and red and yellow, neons faded now almost to pastels, and there’s a sagging cross span with giant red-and-white p letters and the gaps where other letters are missing to gaily spell out ROCK PO NT. When they pull up, Saben’s standing near the car, smoking a cigarette. For the last half mile, Odd Willie’s been singing what he swears is an old radio and TV jingle for the park—Come with your family with your friends.

She watches the busy platform and waits, but no one sits down b and when the train is moving again, she risks another peek and sees that the woman is still sitting right there, so maybe she intends the way down to Manhattan. Emmie hauls her backpack up into the empty seat and tries to concentrate on the world rushing by ou windows—beds of granite and slate carved to make way for the railroad; the twisted, arthritic fingers of bare limbs against the sky buildings boarded up and scarred with graffiti; abandoned warehouses and gas stations; a tiny, neglected graveyard sheltered by en evergreens.

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