By Sean Cullen, Matthew Geller, Charles Roberts, Adam Wilt
If it truly is more than enough for the mythical Hollywood movie editors, it is more than enough for you! This consultant is aimed squarely at ultimate lower seasoned clients similar to your self - at company, advertisement, and self sufficient post-production homes - who are looking to movement past basic ultimate reduce professional installations for his or her movie and video masterworks. via project-based classes and step by step directions, this self-paced consultant exhibits you ways to combine high-end catch playing cards, garage structures, and different industry-standard right into a ultimate lower seasoned workflow, in addition to easy methods to set up and configure ultimate minimize seasoned to utilize your expert non-linear enhancing method. this can be the technical details most often asked through ultimate reduce professional clients, pulled jointly into one booklet that's either a self-paced studying software and the legitimate curriculum for the Apple professional education and Certification application. The advisor covers every thing from method configuration, garage, and equipment connectivity to the intricacies of SAN suggestions, and contains precise sections on optimizing short-form/broadcast workflows and long-form/HD workflows. It bargains troubleshooting suggestion at each flip: for dropped frames, mismatched audio and audio distortion; imported photograph dossier matters, media administration, dossier restoration and archiving thoughts, and lots more and plenty extra. DVD with lesson records and media integrated.
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Extra info for Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to Real-World Post-Production
Understanding some basic video approaches will not only improve your technical aptitude but also allow you the freedom to concentrate on the art of editing. You will learn how to organize an online or offline video project, gather project content, and convert offline content to online resolutions and online content to offline resolutions. In this lesson, you'll observe the workflow of a typical video. Your project specifications may vary, but the principles of video workflow still hold. And since Final Cut Pro is adaptable, it will accommodate different approaches seamlessly.
Storage Medium How to store your media is perhaps the most important decision you can make when setting up your workflow. An offline workflow storage requirement may exceed those of an online workflow. This might seem counterintuitive, since an individual offline workflow media file is usually smaller, requiring less bandwidth. But the number of files in an offline workflow can be excessive. Do some quick codec math before deciding on your storage medium. Whichever storage medium you choose needs to have sustained transfer speeds that are fast enough to keep up with the data rate.
Using a single internal hard drive may be sufficient if the project is small, straightforward, and remains on the same machine for the life of the project. If two or three people are working together, FireWire drives may be adequate since they provide more portability than internal drives at a relatively low cost. Using FireWire drives for a small editing team can be sufficient, especially for low data rate projects. ) An Xserve RAID will give you a greater amount of storage. High transfer speeds and a much larger bandwidth allow you to edit with high data rates.